Caravage - translation to Αγγλικά
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Caravage - translation to Αγγλικά

ITALIAN PAINTER
Michelangelo Merisi da Caravaggio; Michelangelo da Caravaggio; Michelangelo Caravaggio; Carravagio; Michelangelo Amerighi Caravaggio; Michelangelo Merisi; Caravaggio (Michaelangelo Morigi); Ecstacy of saint francis; Caravaggio (disputed); Michaelangelo (Caravaggio) Morigi; Morigi, Michaelangelo (Caravaggio); Michelangelo Merisi Caravaggio; Caravaggiesque; Carvaggio; Caravage; Caravagio; Caravaggio Merisi; Michelangelo Merisi De Caravaggio; Michelangelo Merisi Da Caravaggio; Carravaggio; Michael Agnolo van Caravaggio; Michelangelo Nerosi da Caravaggio; Michelangelo Merisi Da Carravaggio; Cravaggio; Michaelangelo Merisi; Michelangelo da Merisi; Michaelangelo da Carravagio; Michelangelo Amerighi da Caravaggio; Caravaggesque; Michael Angelo Merigi; Carvaccio
  • Gemäldegalerie]], [[Berlin]]. Caravaggio shows [[Cupid]] prevailing over all human endeavors: war, music, science, government.
  • ''Sacred Love Versus Profane Love'' (1602–03), by Giovanni Baglione. Intended as an attack on his hated enemy, Caravaggio, it shows a winged male youth with an arrow, most likely a representation of Eros, the god associated with Aphrodite and sexual (i.e., profane) love, on one side, a devil with Caravaggio's face on the other, and between an angel representing pure, meaning non-erotic or sacred, love.
  • abbr=on}}, [[Galleria Borghese]], [[Rome]]
  • Basket of Fruit]]'', c. 1595–1596, oil on canvas, [[Pinacoteca Ambrosiana]], [[Milan]]
  • Salome with the Head of John the Baptist]]'', [[Royal Palace of Madrid]]
  • abbr=on}}, [[National Gallery, London]]. Self-portrait of Caravaggio as the figure at the top left.
  • New York]]
  • The Entombment of Christ]]'', (1602–1603), [[Pinacoteca Vaticana]], [[Rome]]
  • Medusa]]'', c. 1597. [[Uffizi]], [[Florence]]
  • The Seven Works of Mercy]]'', 1606–1607, [[Pio Monte della Misericordia]], [[Naples]]
  • ''[[Nativity with St. Francis and St. Lawrence]]'', 1600
  • Judith Beheading Holofernes]]'' 1599–1602, [[Galleria Nazionale d'Arte Antica]], Rome
  • ''[[Conversion on the Way to Damascus]]'', 1601, [[Cerasi Chapel]], [[Santa Maria del Popolo]], [[Rome]]
  • The Crucifixion of Saint Peter]]'', 1601, [[Cerasi Chapel]], [[Santa Maria del Popolo]], [[Rome]]
  • David with the Head of Goliath]]'', 1609–1610, [[Galleria Borghese]], [[Rome]]
  • Death of the Virgin]]'', 1601–1606, [[Louvre]], [[Paris]]
  • Map of Caravaggio's travels
  • ''The Lute Player'']] (Hermitage version), c. 1600. [[Hermitage Museum]], [[Saint Petersburg]]. (commissioned by [[Francesco Maria del Monte]])
  • ''Narcissus at the Source'']], 1597–1599, [[Galleria Nazionale d'Arte Antica]], Rome
  • ''Old Woman and Boy with Candles'' by Rubens
  • [[Fillide Melandroni]]
  • ''[[The Raising of Lazarus]]'' and the ''[[Adoration of the Shepherds]]''. [[Regional Museum of Messina]], Sicily, Italy
  • Saint Francis of Assisi in Ecstasy]]'' (c. 1595), [[Wadsworth Atheneum]], [[Hartford]]
  • ''[[Saint Jerome Writing]]'', c. 1605–1606, [[Galleria Borghese]], [[Rome]]
  • ''The Beheading of Saint John'']] (1608) by Caravaggio ([[Saint John's Co-Cathedral]], [[Valletta]], [[Malta]])
  • The Calling of Saint Matthew]]'' (1599–1600), [[Contarelli Chapel]], [[San Luigi dei Francesi]], [[Rome]]. Without recourse to flying angels, parting clouds or other artifice, Caravaggio portrays the instant conversion of St Matthew, the moment on which his destiny will turn, by means of a beam of light and the pointing finger of Jesus.
  • The Denial of Saint Peter]]'' (1610), [[Metropolitan Museum of Art]]
  • The Incredulity of Saint Thomas (Ecclesiastical Version, 1601), Private collection, Florence, Italy
  • ''[[The Taking of Christ]]'', 1602, [[National Gallery of Ireland]], [[Dublin]]. The [[chiaroscuro]] shows through on the faces and armour even in the absence of a visible shaft of light. The figure on the extreme right is a self-portrait.

Caravage         
Caravaggio, family name; Michelangelo Merisi da Caravaggio (1571-1610), Italian painter; Polidoro Caldara da Caravaggio (1496-1543)

Βικιπαίδεια

Caravaggio

Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, US: , Italian: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.

Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His inspiring effect on the new Baroque style that emerged from Mannerism was profound. His influence can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt. Artists heavily under his influence were called the "Caravaggisti" (or "Caravagesques"), as well as tenebrists or tenebrosi ("shadowists").

Caravaggio trained as a painter in Milan before moving to Rome when he was in his twenties. He developed a considerable name as an artist and as a violent, touchy and provocative man. A brawl led to a death sentence for murder and forced him to flee to Naples. There he again established himself as one of the most prominent Italian painters of his generation. He travelled to Malta and on to Sicily in 1607 and pursued a papal pardon for his sentence. In 1609 he returned to Naples, where he was involved in a violent clash; his face was disfigured, and rumours of his death circulated. Questions about his mental state arose from his erratic and bizarre behavior. He died in 1610 under uncertain circumstances while on his way from Naples to Rome. Reports stated that he died of a fever, but suggestions have been made that he was murdered or that he died of lead poisoning.

Caravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism. The style evolved and fashions changed, and Caravaggio fell out of favour. In the 20th century, interest in his work revived, and his importance to the development of Western art was reevaluated. The 20th-century art historian André Berne-Joffroy stated: "What begins in the work of Caravaggio is, quite simply, modern painting."

Παραδείγματα από το σώμα κειμένου για Caravage
1. La renaissance sach';ve lŕ oů commence le XVIIe avec une influence énorme de Caravage sur les peintres européens.
2. Des artistes comme Le Caravage, Vélasquez, Bellini, De Vinci lui ont consacré de cél';bres tableaux. © Le Temps, 2007 . Droits de reproduction et de diffusion réservés.
3. Et dans les History Portraits (1'88–1''0), elle s‘inspire, presque jusqu‘ŕ les recréer, des toiles du Caravage, de Botticelli ou de Gainsborough.
4. Le choix des tableaux est également représentatif de la diversité des courants dans la peinture française, allant des successeurs de Caravage aux néoclassiques vers 1800.
5. Les Centlivres ont relaté leur découverte dans la revue Etudes photographiques du mois de novembre 2005. «Au début, nous avons pensé que ces posters étaient inspirés des peintures d‘adolescents du Caravage», nous explique Pierre Centlivres.